This thing pretends to be all my 2.0 memories bookmarked somewhere in the past to be present in the future. Stuff that I find attractive in Architecture, photography, Music and some other useless information.



” Headlights ”

Steven Shaheen

Stephen Shaheen is a Brooklyn-based artist whose work explores the porous borders between art, design and architecture. His work spans both manual and digital processes, and employs materials as diverse as repurposed found objects, marble, and recycled denim fiber.

Shaheen trained in Italy as a sculptor and earned his MFA from the New York Academy of Art in 2005. His projects include large, community-driven pieces such as a 100-ton marble and granite installation, Memoria (2002), and his Metrobench (2011), created from 5,000 NYC Metrocards. Shaheen is the recipient of a Ludwig Vogelstein grant, the Italian Cultural Institute/La Fortuna Foundation grant, and a 2009-2010 Residency at the Digital Stone Project. His indoor and outdoor installations are in public and private collections in the United States and Europe.

Excerpt from Juxtapoz


Bing Wright (b.1958, USA) - Broken Mirror/Evening Sky (2012)

Broken Mirror/Evening Sky is a new series of striking landscape photographs by New York based artist Bing Wright. Departing from his usual pared down images in grey palettes, Wright offers us moving skyscape photographs of richly colored sunsets reflected onto broken mirrors. This new body of work marks his first return to color photography in almost a decade.

The images are meticulously constructed through a combination of traditional documentary landscape photographs and the subtle manipulations of an image in the studio. Wright photographs sunsets, then projects the images onto mirrors he has broken in the studio. The mirrors are small, measuring just 14 x 11 inches. The artist re-photographs the reflection and then enlarges the image into a large scale format. This beautiful series incorporates Wright’s recurring themes of abstraction and representation – a contrast he masterfully balances by grounding these shards of images into a bold structure. While more abstract than some of his earlier works, the composition carries a narrative that enables the viewer to collectively experience the beauty of the sunsets the artist has captured, while facilitating an individual interpretation of the emotion they imbue. We are presented with pictorial images, fragmented and in disrepair – a reminder that everything beautiful is flawed and imperfect. Bing’s signature large format lends these images symmetry and exact composition, giving them a majestic quality. (src. James Harris Gallery)

© All images courtesy the artist

[more Bing Wright | artist found at mymodernmet]